By Catherine Driscoll
The Australian kingdom lady: historical past, photo, event bargains an in depth research of the event and just like Australian nation girlhood. In Australia, 'country woman' names a box of stories and life-stories via women and girls who've grown up open air of the demographically dominant city centres. however it additionally names a collection of principles approximately Australia that's unusually constant around the lengthy 20th century regardless of additionally operating as an index of fixing instances. For a protracted interval in Australian background, good ahead of Federation and lengthy after it, public and pop culture overtly equated 'Australian personality' with rural existence. This picture of Australian-ness occasionally glided by the identify of the 'bush man', now a staple of Australian heritage. This has been counterbalanced submit global warfare II and elevated immigration, by means of a picture of subtle Australian modernity positioned in multicultural towns. those photos of Australia stability instead of contradict each other in lots of methods and the extra cosmopolitan photograph of Australia is usually in discussion with that previous picture of 'the bush'. This ebook doesn't supply a corrective to the tale of Australian nationwide id yet really a clean standpoint in this historical past and a brand new concentrate on the ever-changing event of Australian rural lifestyles. It argues that the rustic lady has not just been a long-standing counterpart to the Australian bush guy she has, extra importantly, figured as some extent of debate among the rustic and the town for pop culture and for public sphere narratives approximately Australian society and id.
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Extra resources for The Australian Country Girl: History, Image, Experience
The Show has long involved not only promotion—calling people to come to The Show, enter its competitions, and celebrate its local representative functions—but an urgent present tense which suggests the struggle to maintain interest in local Shows is culturally imperative. This is also routinely phrased as an urgently new cultural threat. Announcing the closure of its Show, the Small Southern Town Show Society cited lack of community interest, notably among the young. Local networks offered different explanations, sometimes blaming new forms of youth culture (one councilor told me that ‘kids now can just whip up to [the capital city] for something more exciting’) and sometimes Show Society mismanagement.
1973: 9) In just this way, narratives about rural decline are continually recycled in Australian public and popular culture. The tendency for young people to move away from country Australia, especially girls, has been important to these stories about the imminent extinction of an authentically Australian country identity. Of course it is significant that so many country girls, myself included, move away from the country, and questions concerning why and how girls leave the country return many times across this book.
Sometimes it was even quiet enough to notice the kookaburras, crows, frogs, cicadas or flying foxes. But if Morris’s silence isn’t familiar to me the especially audible presence of television still had a dramatic impact. ’ So once a week, there would be a small domestic catastrophe, which soon became routinized, repetitious, banal. I’d turn Lucy on, my father would start grumbling, Mum would be washing dishes in the next room, ask me to raise the volume, I’d do it, Dad would start yelling, Mum would yell back, I’d creep closer to the screen to hear, until finally Lucy couldn’t make herself heard, and I’d retire in disgust to my bedroom, to the second-best of reading a novel.
The Australian Country Girl: History, Image, Experience by Catherine Driscoll