By Erik Barnouw
This feature of essays, articles, lectures, and different writings through Erik Barnouw, dean of yankee media students, chronicles the phenomenon of previous media giving solution to new, after which being changed through them, because the ghosts of previous media upward push in new forms.In Media misplaced and located, the 16th century will introduce us to early stirrings of images, in addition to the increase of black lists,which have a too-familiar ring inside our personal lifetime. the gathering starts with an editorial on documentary movie pioneer Robert Flaherty. Barnouw then strikes to a dialogue of his Dutch background and its function in Western civilization. this can be by way of attention-grabbing debts of inventive pioneers of digicam obscura and magic lantern phantasmagoria, precursors of the magic of movies. There are full of life debts of Barnouw's personal reviews, an informative short historical past of communications breakthroughs, and an exam of the foibles of media censorship. the ultimate articles speak about the significance of Indian filmmaker Satyajit Ray and cinematographer Boris Kaufman, brother of Soviet filmmakers Djiga Vertov and Mikhail Kaufman. In his writing and in his existence, Erik Barnouw has been regularly stylish, self-deprecating, affectionate, and redolent of serious depths, encouraging us to appear for and foster them in our personal lives.
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The Rotlander, restrained and economical, often has family rules about boterhams. For instance, a rule that the children must eat the first boterhanl with nothing 011 it, and that the second must have something not sweet on it. But war has brought much stricter rules to the boterha~n meal: no butter, margarine on occasion, hardly any jams, no meat. The bread has grown strange and grey, so that people suspect it of having sawdust in it. Two slices €or breakfast, two for lunch, has been about the rationed quantity.
Their newspapers don’t scream. When reporting crimes, they’re alnlost the exact opposite of American newspapers. They may not even rnention the names of the pcoplc involved. They’ll just say: “Last night Mr. J. G. killcd Mr. 11. M. by stabbing him many times with a pocket knife. Mrs. J. G. ” The papers doll? want to ernbarrass anyone. Instead of size and scnsation, IIolland goes in for neatness and cleanliness. It’s no acciclcnt that the I Iollander’s word schoon nlcans either clean or beautiful.
The Pilgrim Fathers lived here while in Holland. IIaarletn (I-IAAR-lum). Beautiful garden town in the middle o€the famous bulh-field area. Delft (DELFT). Home of the fanlous Delft-ware, and Delft tiles. Burial place of Holland’s “Father of the Fatherland,” William the Silent. Alkmaar (AI ILK-maar). Fascinatingcheese-markettown, very photogenic. This Page Intentionally Left Blank Torrentius and His Camera THEKNOWN FACTS about Joha~mcs Torrentius can bc briefly stated. Born in I-Iolland in 1589, he was a painter in the greatest age of Dutch art.
Media Lost and Found (Communications and Media Studies) by Erik Barnouw