By Tim O'Sullivan
Key innovations in communique and Cultural reviews is an introductory advisor if you happen to have to "come to phrases" with the fields of communications and cultural experiences. Over three hundred entries introduce the reader to key issues within the components, in addition the ancient underpinnings of every proposal, and gives references for additional reading.This version includes over 60 new entries, with latest entries revised to take care of forex with the advancements of the 80s. those components, in addition to the services of the authors in the fields of tradition and communique, mix to supply an a huge and valuable research of tradition and communique.
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Extra resources for Key Concepts in Communication and Cultural Studies (Studies in Culture and Communication)
The ideology of authorship leads, for example, to the fruitless search for ‘what Shakespeare really meant’ – an impossible quest which leads inexorably to the imposition of authoritarian meanings on a given work by a critic who seeks to establish one reading as the only or true reading. In other words, any appeal to ‘the author’s intentions’ is coercive – it seeks to impose ideological closure on a text, to minimize its polysemic potential. It’s dishonest too, imputing to the author meanings which are necessarily the creation of the critic.
Nor is authorship found any more readily in creative and fictional writing. Much of the fiction circulating in modern societies comes in the form of television and movies, where the concept of authorship is very hard to sustain, given the input of so many people in the production process. Other creative works circulate orally and aurally – stories, jokes, songs. These too escape the traditional definition of authorship, even when they can be traced to an individual writer. Authorship is a creation of literary culture and the marketplace; it is one of the great markers of ‘high’ as opposed to ‘popular’ culture, and it is invoked to ascribe not just meaning but value – aesthetic or moral as well as monetary – to works and authors identified by literary criticism (and marketing managers) as ‘significant’.
Light waves carry visual signals, air waves carry sound signals. The channel is mainly the concern of physicists and engineers and has little to do with meaning, although the physical characteristics of the channel 38 limit the medium and codes that it can carry. Indeed, some codes, such as Morse or semaphore, have been evolved to match the physical characteristics of the channels available. Communication theory is concerned with ways of measuring and maximizing the capacity of a given channel to convey information.
Key Concepts in Communication and Cultural Studies (Studies in Culture and Communication) by Tim O'Sullivan