By Didier D, Girard N
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Extra resources for Afnor précis de chantier : Matériel et matériaux, mise en oeuvre, normalisation 1999
The room was so cluttered that when he took a step back, he slipped on the puddles of oil and was able to stop himself from falling only by hanging onto the guardian's arm. "You see there," said the latter. "You still need some rest. " The path was incredibly complicated. They had to pass through ropes, 13 slide zigzag between benches, and back up again in order to avoid step ping on the portraits that the painter had painted directly onto the floor. It seemed that the journey would never end.
The jacket - which was much longer than necessary- and the gray-striped pants were placed on a chair next to Thomas, who quickly took off all his clothes. Seeing how poor and worn out they were, he was pleased by the attention of the guardian, who was providing for him at little cost an extra suit that was almost new. First he put on the pants. The style was not current. All sorts of pockets and buttons, whose use escaped him, transformed these formal clothes into work clothes. Three crude-looking belts with efiormous buckles closed around the waist.
The unfor tunate man must have been suffering terribly; the springs had pierced his sides, and he was lying atop knife blades and razors. "But I really don't wish you any harm," Thomas said to him, but at the same time, with his finger pointed to the skylight, he made a sign to him to rise. This skylight was easier to reach than he had thought. He held out his hand to the captive, and with his fingers entwined in these other enormous fingers, he helped him to stand up. He was astonished at his size.
Afnor précis de chantier : Matériel et matériaux, mise en oeuvre, normalisation 1999 by Didier D, Girard N