By Prince Rupert Loewenstein
'He is a brilliant monetary brain for the marketplace. He performs that like I play guitar. so long as there's a grin on Rupert's face, I'm cool.'Keith Richards on Prince Rupert LoewensteinIn 1968 Mick Jagger couldn't comprehend why the Rolling Stones had no cash. the fellow he requested to assist used to be a German prince, a service provider banker. They cast an not likely alliance which re-invented the company of rock'n'roll. As a youthquake shook the institution, Prince Rupert Loewenstein thrived in either worlds, by no means relinquishing his attractiveness or decorum. for almost 40 years Prince Rupert labored with the Stones as 'a mix of financial institution supervisor, psychiatrist and nanny', frequently enthralled yet usually bemused and exasperated. Coolly neutral, dryly funny, this can be a refreshingly diverse tackle the rock'n'roll international from inside its internal sanctum.
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Extra resources for A Prince Among Stones: That Business with The Rolling Stones and Other Adventures
A devotional intensity is sustained through the whole work, making the final chorus almost unbearably powerful. St John Passion The St John Passion, first performed on Good Friday 1724, has until recently been judged the lesser of the two extant Passions. It is certainly on a smaller scale – lasting less than two hours – and the additional texts, selected from a number of authors, add up to a less coherent whole than Picander’s St Matthew additions. However, it is a remarkably powerful work, which conveys the story of Jesus’ last hours with startling immediacy.
The Well-Tempered Clavier consists of two books (though only the first was given the name) of twenty-four preludes and fugues, each book working through the twelve major and twelve minor keys. 26) – that allowed a keyboard instrument to be played in any key without being r Leonhardt (Deutsche Harmonia Mundi; 2 CDs x 2) The most authoritative and satisfying of the several harpsichord versions available is this one from Gustav Leonhardt, a veteran Bach specialist whose playing is always flexible but carefully argued.
In the Renaissance era, it wasn’t uncommon for neighbouring towns to have totally incompatible ideas of pitch (creating serious problems for travelling musicians) and even during the late Baroque period, pitch was usually around a whole tone lower than what we use today – something clearly audible in many recordings made by period-instrument performers. The second basic tuning principle – equal temperament – is a bit more complicated, and requires some background explanation. At the heart of Western music is the twelve-note chromatic scale that makes up each octave: the scale that creates the repeating pattern of black and white notes on a piano keyboard.
A Prince Among Stones: That Business with The Rolling Stones and Other Adventures by Prince Rupert Loewenstein