Download e-book for iPad: 50 Licks: Myths and Stories from Half a Century of the by Peter Fornatale

By Peter Fornatale

ISBN-10: 1408833832

ISBN-13: 9781408833834

On July 12, 1962, London's Marquee membership debuted a brand new act, a blues-inflected rock band named after a Muddy Waters track - The Rolling Stones. They have been a hard-edged band with an inherent ability for the dramatic, styling themselves because the devil's resolution to the sainted Beatles.A younger, green manufacturer named Andrew Loog Oldham first heard the band at a consultation he recollects with 4 phrases: 'I fell in love.' even though unexpected with such uncomplicated practices as blending a recording, he made a super determination - he pitched the band to a studio that had handed at the Beatles. Afraid to make an identical mistake two times, they signed the Stones, and started a history-making career.This is only one of the 50 vintage tales that make up 50 Licks. Many are never-before advised, a few are from unique interviews - together with with elusive bassist invoice Wyman - and all are illustrated and instructed through the folks who lived them.Half a century on, the Rolling Stones are nonetheless the best band operating. And this is often the ebook to commemorate their unheard of success in rock song.

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Additional info for 50 Licks: Myths and Stories from Half a Century of the Rolling Stones

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I nnnnliJjQiJjQ lE WE )11 1&2&3&4& This 1&2&3&4& with these ties 1&2&3&4& becomes this . i 42 • Beginning Fingmtyk B/~s Guitar Notice that two cied eighth nOtes are written as quarter notes with eighth notes on either side. Ir's ve ry impo rtant that you count this alo ud. The accents occur o n the offbeats of the second and (ourch co unts. H ere is th e sa me sy ncop ated figure played against th e alternating bass. G r r r r r r r r Below are several examples o f the use of synco pated fi gures played agai nst an altern ating bass.

V 10. , ...... r - .. , .... J. r r - ... , BLUE NOTES 6j - r - ....... , .... v 6~ 6)) I. r r r .. v J , 10. r r - .. v ....... r r - .. , .... v j . , r - r ~ ....... v ....... h l 1. r r r r T " E7 1 ~7 D7fF# I. ~ • T ~ I r r ... ' I--; I ~ t\ I. h . r r bll I r r I r -------~ T 1. ·· r r 1. b.... r ~ FRETTING - HAND TECHNIQUES This chapter is designed to acqua int yo u with so me of [he guirarisric techn iques found in blues playing. We will examine the use of hammerons and pulloffs, slides, double srops, bends, and vibrato.

R- - ft ft V V .... _60- .... I, _"t r- - i .. ....... --:. Ai - h~ I, I I.. • i I r ... "" .... r - - r .... "" ... ~ ....... - V ft r- - ft II II "" v v Here is a blues solo in the key of A, including that key's blue notes Cq and Gq, A WITH BLUES IN A7 1\ 1'0 tJ T .... D :. ~ ~ U J. h I 4 10. r - ... v 10. , ...... r - .. , .... J. r r - ... , BLUE NOTES 6j - r - ....... , .... v 6~ 6)) I. r r r .. v J , 10. r r - .. v ....... r r - .. , .... v j . , r - r ~ ....... v ....... h l 1. r r r r T " E7 1 ~7 D7fF# I.

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50 Licks: Myths and Stories from Half a Century of the Rolling Stones by Peter Fornatale

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